This Week:
The Origin of Constraint
Ah, the word ‘constraint’. It’s not exactly the kind of term that makes your heart skip a beat, is it? But before you dismiss it as a killjoy, let's take a step back. Ever heard of the phrase, ‘necessity is the mother of invention’? Turns out, constraint is its often-overlooked sibling—perhaps the unsung hero of creativity.
Constraint has been a driving force in the creative world since the dawn of time, or at least since the first caveman ran out of red ochre and had to improvise with mud. Fast forward a few millennia to Ancient Greece, where the philosopher Plato, ever the buzzkill, opined, "The measure of a man is what he does with power." Substitute "power" with "limitations," and you’ve got a pretty spot-on description of constraint in the creative process.
Why does this matter? Because constraints aren’t just roadblocks; they’re roadmaps. They guide us, challenge us, and—dare I say—improve us. So, the next time you feel like pulling your hair out because of a tight deadline or a budget that makes your wallet cry, remember: constraint isn’t the enemy. It’s the catalyst.
Constraint in Design
In the world of design, constraint is akin to that irritatingly precise teacher who marked every essay you wrote in red ink. Annoying? Yes. Necessary? Absolutely. Constraints force designers to push boundaries, think outside the proverbial box, and create something not just good, but great.
Take, for instance, the minimalist movement. Born out of the constraints of post-war resource scarcity, minimalism said, "Forget the fluff; what’s essential?" I paraphrase, but you get the point. Designers like Dieter Rams took this to heart, distilling objects to their purest form and creating iconic pieces that remain influential to this day.
And here’s the kicker: by embracing constraints, designers found freedom—not the free-for-all kind, but a disciplined, structured freedom that allows creativity to flourish. It’s the visual equivalent of a sonnet in poetry; the strict structure doesn’t limit the poet but elevates their work to new heights. Similarly, in design, constraints don’t confine; they refine.
Constraint in Culture
Constraint doesn’t just influence design; it’s a driving force in every creative field. Consider Ernest Hemingway, who famously penned a six-word story For sale: baby shoes, never worn. Six words. That’s it. Yet, within those six words lies a universe of emotion, narrative and implication. Hemingway's genius wasn’t in what he wrote, but in what he left out. The constraint of brevity forced him to craft something that resonated more deeply than pages of prose ever could.
Or take John Cage’s 4'33". Here’s a piece where the musician literally doesn’t play a note for four minutes and thirty-three seconds. Cage’s constraint was silence, and in that silence, audiences found themselves listening more intently to the ambient sounds around them. It was a revelation—music wasn’t just about notes, but about the spaces in between.
What do these examples have in common? They show that constraints can lead to unexpected creativity. By limiting themselves, artists like Hemingway and Cage found new ways to express ideas, proving that sometimes, less truly is more.
Constraint in Our Work at We Are Cognitive
Now, let’s bring this back home. At We Are Cognitive, we’re no strangers to constraints. In fact, we thrive on them. Whether it’s a tight deadline, a limited budget, or the challenge of distilling complex data into a 60-second explainer animation, constraints are the bread and butter of our creative process.
Take our whiteboard animations, for example. The very format is a constraint—a simple, black-and-white medium that forces us to focus on clarity and simplicity. But within that constraint lies immense creative potential. By stripping away the unnecessary, we’re able to communicate ideas more effectively, making the complex clear and the mundane engaging.
Or consider our rich pictures. These are no ordinary illustrations. Each one is a visual puzzle, crafted under the constraint of conveying a complex idea in a single, cohesive image. It’s a challenge, sure, but it’s also what makes our work stand out. Constraint isn’t just something we deal with; it’s something we embrace, because we know that it’s often the key to unlocking true creativity.
Constraint and Our Pillars
Constraint is more than just a design principle; it’s woven into the very fabric of our ethos at We Are Cognitive. Let’s break it down:
Inform: Constraints force us to distil information to its essence, making it clear and understandable. In our work, this means cutting through the noise to present data in a way that informs and enlightens us.
Teach: When we teach, constraints guide us to break down complex processes into simple, step-by-step instructions. Our explainer animations are a perfect example, where the constraint of time pushes us to teach efficiently and effectively.
Enable: Constraints often point us toward the best solutions. In our case, this means enabling our clients to make informed decisions by providing them with clear, visual signposts.
Inspire: Constraints inspire us to think differently. By working within the limits of a brief or a format, we’re often led to ideas that are not just innovative but also deeply resonant.
In short, constraints don’t hinder our work; they enhance it. By aligning with our pillars, they help us to inform, teach, enable, and inspire, driving us—and our clients—toward better outcomes.
Further Reading: The Art of Looking Sideways by Alan Fletcher
For those intrigued by the idea of constraint and its role in creativity, I recommend The Art of Looking Sideways by Alan Fletcher. This book is a treasure trove of insights into the creative process, and it’s packed with examples of how constraints—whether imposed by time, space, or materials—can lead to innovative thinking.
Fletcher’s work is a visual and intellectual feast, encouraging readers to see the world differently. What makes this book particularly relevant is its exploration of the very themes we’ve discussed: the power of limits, the importance of structure, and the surprising freedom that comes from constraint. It’s not just a book; it’s a creative manifesto that will challenge and inspire anyone interested in the intersection of design, creativity, and visual thinking.
I have written a lot about failure. It’s something of a fascination for me. I am in a constantly evolving process with failure. When does failure become a success? Are there any true failures or is it just an endless process?